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This home, inspired by Mies van der Rohe's Farnsworth House, is regarded as a brilliant example of modern architecture

The Glass House by Philip Johnson

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Architect: Philip Johnson
Text from theglasshouse.org

The Glass House is best understood as a pavilion for viewing the surrounding landscape. Invisible from the road, the house sits on a promontory overlooking a pond with views towards the woods beyond. The house is 55 feet long and 33 feet wide, with 1,815 square feet. Each of the four exterior walls is punctuated by a centrally located glass door that opens onto the landscape.
The house, which ushered the International Style into residential American architecture, is iconic because of its innovative use of materials and its seamless integration into the landscape. Philip Johnson, who lived in the Glass House from 1949 until his death in 2005, conceived of it as half a composition, completed by the Brick House. Both buildings were designed in 1945-48.

Since its completion in 1949, the building and decor have not strayed from their original design. Most of the furniture came from Johnson’s New York apartment, designed in 1930 by Mies van der Rohe. In fact, Mies designed the now iconic daybed specifically for Johnson. A seventeenth-century painting attributed to Nicolas Poussin stands in the living room.

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The image, Burial of Phocion, depicts a classical landscape and was selected specifically for the house by Alfred H. Barr, Jr., the first director of the Museum of Modern Art. The sculpture, Two Circus Women, by Elie Nadelman stands opposite. It is a small version of a marble sculpture that is in the lobby of the New York State Theater (now David H. Koch Theater) at Lincoln Center in 1964.
The floor plan of the Glass House reveals a fairly traditional living space. Although there are no walls, Philip Johnson referred to areas within the rectangular, loft-like space as “rooms.” There is a kitchen, dining room, living room, bedroom, hearth area, bathroom, and an entrance area. Despite the very modern style of the house, the layout could easily be a colonial home, something Johnson noted.
As detailed in the floor plan, the placement of furniture throughout the house is precise. A rug defines the living room area, while seating around a low table anchors the space. The living room is the focal point of the house, and like nested boxes, it is the center from which the site is successively occupied: living room, house, courtyard, and landscape. The fixed furniture plan contrasts with the surrounding landscape, which is ever-changing through weather and season.
The “room” with the greatest privacy is the bedroom, which also contains a small desk. It is separated from the living room by a series of built-in storage cabinets with walnut veneer. Although today open space floor-plans are common, it was highly unusual in 1949.
Original story from ArchDaily


First published date: 06 June 2017

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