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Solid masonry construction ensures this beachfront house is built to weather the storms. A layered facade introduces a human scale to the architecture
Once upon a time, the archetypal beach house wasn't so much a place to live in, as it was a place to return to at the end of the day when the sun went down and the campfire burned low.
Today, that sense of escape is still there, but beachfront architecture has matured to encompass a whole new lifestyle – one that recognises its roots, yet embraces the location at every turn.
This 1000m2 house, on a four-lot site, is large, even by today's standards. But architect Paul Uhlmann has given it a human scale, to create a warm and welcoming house that also maximises the spectacular ocean view.
And unlike the beach houses of old, providing a sense of permanence was a key design element.
"Right from the start, the owners were keen to have a solid, masonry home," says Uhlmann. "But masonry houses can look very heavy, which would not have been appropriate for this site. Consequently, there was a need to combine the masonry with extensive glazing, both to capture the view, and to visually lighten the house."
To achieve a harmonious balance between these two elements, Uhlmann chose to layer the facade with overlapping volumes.
"Layering the facade was a way to break up the bulk of the building," he says. "The layers introduce a human scale, giving it more of a residential feel. They also provide shadowing, which gives the house visual depth."
In addition, different materials and colours help define the functions of the internal spaces. For example, cut-away elements on the street side of the house highlight a series of bedrooms above the living pavilion, while on the beach side of the house, a wrap-around cream box on the first storey accommodates the master ensuite.
Large stone walls help to visually anchor the house to the land. Slicing into the structure from top to bottom, they provide a connection between the inside and outside. The composition is further enhanced by horizontal elements that balance the verticality of the stone walls and glazing.
On the beach side of the house, soffits create a rectangular box at the first-floor level. This provides much-needed shade to the main living pavilion with its double-height volume, and also allows ocean sight lines through the interior from the first-floor bedrooms.
Uhlmann says that while the view determined the layout of the house, it was important not to give away all the secrets at the entrance. The view is gradually revealed to guests as they move from the entrance hall into the main living pavilion.
"This two-and-a-half storey room became the central design element," Uhlmann says. "As well as opening up to the beach, it opens to the landscaped area and pool, providing cooling cross breezes."
To ensure there is plenty of light in the living pavilion, the roof slopes up towards the sea, leaving space for a line of windows below the eaves. These, in turn, draw the eye up to the sky.
The light, airy feeling of the room is further enhanced by a freestanding wall at one end. The wall, which appears to float away from the side of the house, incorporates a fireplace, and features a mural by a local artist.
"The interior deliberately avoids the corporate look that so frequently characterises large masonry houses," says Uhlmann. "For this reason, we introduced a mix of materials to both the interior and exterior, to make it feel warm and welcoming."
These materials include extensive wood panelling, and a carved, tropical motif that recurs throughout the house – a reference to the owners' time spent in Fiji. The flooring is also wood, with brushbox timber boards featuring throughout the open-plan living areas.
Like the living pavilion, the kitchen is positioned to make the most of the view. The layered elements that define the exterior are also evident on the interior. The kitchen island, for example, is comprised of several different materials. Solid wenge wood and CaesarStone benchtops with waterfall sides overlap the carcase. Wenge wood also features in the built-in bar cabinets beyond the kitchen.
Built-in cabinetry is not limited to the kitchen, however. Bedrooms also incorporate built-in furniture, designed to provide a sense of enclosure. In the master bedroom, for example, beech wood veneer features on panels that wrap around the ceiling and walls, and form cantilevered bedside tables. Similar wood provides built-in shelving.
The master ensuite continues the contemporary theme. In keeping with the materials mix, a stone wall is juxtaposed with shiny copper cladding, while a mix of timbers helps to visually soften the space. Cantilevered his-and-hers vanity units line the sides of the room, enhancing the spacious feel.
To focus attention on what lies beyond, there are low windows at tub height. These appear to slide behind the copper-clad structure, reinforcing the sense of layering that characterises the design.
First published date: 11 April 2008
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|Architect||Paul Uhlmann, RAIA, Paul Uhlmann Architects (Queensland, Australia)|
|Interior and kitchen design||Pod Interior Design|
|Main contractor||Graeme Cameron Constructions|
|Kitchen manufacturer||Bella Furniture|
|Roofing||Bluescope Colorbond Ultra|
|Doors and windows||G James Glass and Aluminium|
|Window and door hardware||Centor|
|Tiling||Chocolate Quartz from Homestone|
|Lighting||Tony Douthwaite, Lighting Design|
|Flooring||Brushbox from Queensland Timber Flooring|
|Air conditioning||Acclaim Air Conditioning|
|Audiovisual systems||Integrated Systems Queensland|
|Home automation||C-Bus; Crestron touch screens|
|Kitchen cabinetry||Gidgee Timber|
|Oven, cooktop, refrigerator and dishwasher||Miele|
|Shower enclosure||G James Glass and Aluminium|
|Bathroom basins and tapware||RogerSeller|
|Wall tiles||Classic Ceramics Story by Colleen Hawkes Photography by David Sandison|